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home·artworks·The Tower Malakoff and the Trouville Shore
The Tower Malakoff and the Trouville Shore by Eugene Boudin

plate no. 5753

The Tower Malakoff and the Trouville Shore

Eugene Boudin, 1877

oilImpressionismcityscapebeachbuildingsskyfiguressandclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in light and shadow on different surfaces. It also offers practice in rendering figures in a landscape setting with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, shoreline, and horizon line.

  2. step 02

    Establish the sky with broad strokes, blending blues and whites to create a sense of atmosphere.

  3. step 03

    Block in the large shapes of the buildings with light washes of color, paying attention to their relative values.

  4. step 04

    Add the sand and beach area, using a warm beige tone and varying the color slightly to suggest depth.

  5. step 05

    Introduce the figures on the beach, using simple shapes and dark tones to create silhouettes.

  6. step 06

    Develop the details of the buildings, adding windows, doors, and architectural features with small brushstrokes.

  7. step 07

    Refine the sky and clouds, adding highlights and shadows to create a sense of depth and movement.

  8. step 08

    Add final details and highlights to the entire painting, paying attention to the overall balance and harmony.

color palette

primary · ultramarine blue · titanium white · yellow ochre · raw umber

secondary · burnt sienna · cadmium red light · ivory black

Mix various shades of blue and white for the sky. Use yellow ochre and raw umber for the sand, adding white for highlights. Create the building colors by mixing yellow ochre, burnt sienna, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details, losing the freshness and spontaneity of the impressionistic style.
  • →Creating too much contrast, resulting in a harsh and unnatural look.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp and defined.
  • →Using colors straight from the tube without mixing, leading to a flat and uninteresting palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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