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home·artworks·The Third of May 1808
The Third of May 1808 by Francisco Goya

plate no. 7710

The Third of May 1808

Francisco Goya, 1814

oilRomanticismgenre paintingfiguressoldiersbuildingsnight scenedramaviolence
experienced study

Students would develop skills in dramatic chiaroscuro lighting and creating emotional narrative through composition and gesture. This painting teaches advanced figure painting and the use of stark value contrasts to create focal points.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the overall composition with basic shapes, establishing the firing squad on right and victims on left

  2. step 02

    Block in the dark background and hillside with deep umbers and blacks

  3. step 03

    Establish the strong light source illuminating the central figure in white

  4. step 04

    Paint the building silhouettes against the dark sky

  5. step 05

    Develop the firing squad figures with muted earth tones

  6. step 06

    Paint the illuminated victims with warm flesh tones and bright whites

  7. step 07

    Add the fallen bodies in foreground with careful attention to blood and shadows

  8. step 08

    Refine facial expressions and final dramatic details

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red · ivory black · burnt sienna · raw sienna

Mix warm flesh tones with white, yellow ochre, and touches of red. Create deep shadows by mixing burnt umber with ivory black.

techniques

  • ·chiaroscuro lighting
  • ·glazing for depth
  • ·impasto for texture
  • ·color temperature contrast
  • ·dramatic gesture painting

common pitfalls

  • →overworking the dark areas
  • →making the lighting too even
  • →losing the emotional impact in details
  • →incorrect figure proportions

materials

surface · stretched canvas primed with gesso

required

  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·#6 flat brush
  • ·stretched canvas 16x20 or larger

optional

  • ·palette knife
  • ·glazing medium
  • ·#2 round detail brush
  • ·fan brush for texture

This painting requires good understanding of oil painting techniques and figure drawing. Work in multiple sessions to allow proper drying between layers.

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