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home·artworks·The Terrace at the Restaurant Jacob in Nienstedten on the Elbe
The Terrace at the Restaurant Jacob in Nienstedten on the Elbe by Max Liebermann

plate no. 9570

The Terrace at the Restaurant Jacob in Nienstedten on the Elbe

Max Liebermann, 1902

oil, canvasImpressionismgenre paintingtreesfigurestablesrestaurantparklandscape
some experience helpful

This painting offers practice in capturing light and shadow in a park setting with figures, and in simplifying details to create an impressionistic effect. Students can develop their skills in color mixing to achieve the subtle variations in greens and browns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of trees, tables, and figures.

  2. step 02

    Establish the background with a light wash of sky and distant landscape.

  3. step 03

    Block in the main shapes of the trees, using darker greens and browns for the trunks and lighter greens for the foliage.

  4. step 04

    Add the tables and chairs, paying attention to their perspective and placement.

  5. step 05

    Paint the figures, simplifying their forms and focusing on capturing their gestures and poses.

  6. step 06

    Develop the light and shadow patterns, using highlights to create a sense of depth and dimension.

  7. step 07

    Add details such as the tableware and the patterns of light filtering through the trees.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced painting.

color palette

primary · sap green · raw umber · titanium white · cadmium yellow

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix greens by blending yellow and blue with varying amounts of white. Use raw umber and white for the tables and chairs. Add touches of alizarin crimson to create the pinkish hues in the figures' clothing.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking details
  • →Using too much detail in the figures
  • →Creating muddy colors
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints (see color palette)

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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