apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Temptation of St. Jerome
The Temptation of St. Jerome by Giorgio Vasari

plate no. 6607

The Temptation of St. Jerome

Giorgio Vasari, 1541

oil, panelMannerism (Late Renaissance)religious paintingfiguresreligious scenelandscapecherubslionskull
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and complex composition, as well as the ability to render realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed sketch, paying close attention to the proportions and placement of all figures and objects.

  2. step 02

    Establish the background landscape with thin washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the main figures with basic skin tones, using a limited palette of earth tones and white.

  4. step 04

    Develop the drapery with layers of color, adding highlights and shadows to create volume.

  5. step 05

    Refine the facial features and anatomical details of the figures.

  6. step 06

    Add the smaller details such as the skull, crucifix, and other symbolic objects.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · ivory black · alizarin crimson

Achieve skin tones by mixing burnt umber, titanium white, and small amounts of cadmium red and yellow ochre. Use ultramarine blue and ivory black to create cool shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Muddying the colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti