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home·artworks·The Temple of Kom Ombo in Egypt
The Temple of Kom Ombo in Egypt by August Ahlborn

plate no. 1622

The Temple of Kom Ombo in Egypt

August Ahlborn, 1830

oilRomanticismlandscaperuinslandscapeskyfiguremountainsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value and color variations. It also provides practice in rendering architectural forms and figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins and the horizon line.

  2. step 02

    Establish the sky gradient with soft, blended layers of blue and yellow/orange.

  3. step 03

    Block in the distant mountains and landscape using muted blues and greens.

  4. step 04

    Define the main architectural structure with dark values, paying attention to the light source.

  5. step 05

    Add details to the foreground landscape, building up layers of color and texture.

  6. step 06

    Paint the figure in the foreground, keeping it relatively simple and dark.

  7. step 07

    Add highlights to the ruins and landscape to create a sense of depth and dimension.

  8. step 08

    Refine details and adjust values to achieve the desired atmospheric effect.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · raw sienna

Achieve the sky colors by blending blue and yellow with white. Mix browns and greens for the landscape using umber, ochre, and blue. Use white to lighten values and create highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·linear perspective

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the distant landscape
  • →Ignoring the light source and its effect on the forms
  • →Making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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