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home·artworks·The tea
The tea by Federico Zandomeneghi

plate no. 9069

The tea

Federico Zandomeneghi, 1893

pastel, paperImpressionismgenre paintingfiguresinteriortheatreclothingteaaudience
some experience helpful

Recreating this painting will help students develop skills in pastel blending and layering, as well as capturing the subtle nuances of light and shadow on skin tones and fabrics. It also provides practice in depicting figures in a relaxed, informal setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the figures and background.

  2. step 02

    Establish the main color blocks for the background, clothing, and skin tones.

  3. step 03

    Begin layering pastels to build up depth and dimension in the figures.

  4. step 04

    Pay close attention to the subtle color variations in the skin tones, using soft blending techniques.

  5. step 05

    Add details to the clothing, such as folds and textures, using short, broken strokes.

  6. step 06

    Refine the background, adding details to the theatre scene.

  7. step 07

    Add highlights and shadows to create a sense of depth and volume.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · yellow ochre · cerulean blue · burnt sienna · titanium white

secondary · red · violet · black · raw umber

Mix skin tones by layering ochre, sienna, and white, with touches of red and violet for shadows. Achieve the blue of the dress by layering cerulean blue and white, and the yellow of the dress by layering yellow ochre and white.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·hatching

common pitfalls

  • →over-blending pastels, resulting in a muddy appearance
  • →not establishing a strong value structure early on
  • →getting lost in details before establishing the overall composition
  • →using colors straight from the stick without mixing

materials

surface · pastel paper (toned)

required

  • ·soft pastels (assorted colors)
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·fixative spray
  • ·drawing board
  • ·paper towels
  • ·blending stumps

optional

  • ·pastel pencils
  • ·workable fixative
  • ·palette knife
  • ·easel

Choose a pastel paper with a slightly textured surface to allow the pastels to adhere well. A toned paper will help to establish the overall color harmony of the painting.

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related guides

color theory for painters →how to learn by studying the masters →
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