
plate no. 1911
Pierre-Auguste Renoir, 1876
Students would develop skills in capturing dappled sunlight through foliage and working with broken color technique typical of Impressionism. This painting teaches how to blend multiple colors optically while maintaining form and atmosphere.
technical profile
approach — 8 steps
Begin with a loose charcoal sketch mapping out the main figure positions and tree structure
Block in the darkest shadow areas with mixed purples and blues
Establish the lightest areas where sunlight hits the figures and ground
Build up the foliage using broken brushstrokes in various greens, yellows, and blues
Work on the figures using warm flesh tones with cool shadows
Add the dappled light patterns across all surfaces using small, confident brushstrokes
Refine the clothing details, especially the white dress with blue accents
Finish with subtle color temperature adjustments to enhance the warm afternoon light
color palette
primary · ultramarine blue · cadmium yellow light · titanium white · burnt sienna
secondary · viridian green · dioxazine purple · yellow ochre · cadmium orange
Mix warm and cool versions of each color family. Create flesh tones by combining yellow ochre, burnt sienna, and white with touches of blue for shadows.
techniques
common pitfalls
surface · stretched canvas primed with acrylic gesso
required
optional
Use bristle brushes to maintain the textural quality essential to Impressionist technique. Keep paint consistency fairly thick for proper color mixing.
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