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home·artworks·The Sunny Canal
The Sunny Canal by Martín Rico y Ortega

plate no. 0311

The Sunny Canal

Martín Rico y Ortega

oilImpressionismcityscapecanalbuildingsboatsbridgewaterfigures
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering architectural details with loose brushstrokes. It also provides practice in capturing the reflections and movement of water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the placement of the bridge and boats.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, paying attention to the light and shadow.

  3. step 03

    Block in the main shapes of the buildings, bridge, and boats, using broader brushstrokes and simplified forms.

  4. step 04

    Develop the details of the architecture, such as windows, arches, and decorative elements, using smaller brushes and more precise strokes.

  5. step 05

    Add the reflections in the water, using horizontal strokes and varying the color and value to create a sense of depth and movement.

  6. step 06

    Paint the figures in the boats and on the bridge, using quick, gestural strokes to capture their poses and actions.

  7. step 07

    Refine the details and add highlights and shadows to create a sense of realism and depth.

  8. step 08

    Add final touches and adjust the overall color balance as needed.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · alizarin crimson · viridian green

Mix various shades of brown and gray by combining burnt sienna, ultramarine blue, and white. Use yellow ochre and white for highlights on the buildings. Add alizarin crimson to create warmer tones and viridian green to create cooler tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Getting bogged down in excessive detail too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the perspective of the buildings and the bridge.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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