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home·artworks·The street of Hermitage, Pontoise
The street of Hermitage, Pontoise by Camille Pissarro

plate no. 3995

The street of Hermitage, Pontoise

Camille Pissarro, 1874

oil, canvasImpressionismlandscapestreetbuildingstreesskyfiguresclouds
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to represent light and shadow. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and trees, paying attention to perspective.

  2. step 02

    Block in the sky with broad strokes of light blue and white, creating a sense of cloud formations.

  3. step 03

    Establish the base colors of the buildings and street using a limited palette of earth tones.

  4. step 04

    Add darker values to indicate shadows and create depth, especially on the left side of the street and buildings.

  5. step 05

    Introduce variations in color and texture to the trees using greens, browns, and yellows.

  6. step 06

    Paint the figures with simple shapes and muted colors.

  7. step 07

    Refine the details of the buildings and street, adding subtle highlights and shadows.

  8. step 08

    Add final touches to the sky and clouds, softening edges and creating a sense of atmosphere.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · raw sienna · ivory black

Mix various shades of gray for the buildings and street by combining white, black, and a touch of blue or brown. Create greens for the trees by mixing blue and yellow with a touch of brown.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·wet-on-wet blending
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating colors that are too saturated or unnatural.
  • →Ignoring the importance of atmospheric perspective, which flattens the image.
  • →Failing to simplify complex forms into basic shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, ultramarine blue, yellow ochre, burnt umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil or painting medium
  • ·odorless mineral spirits
  • ·rags

optional

  • ·easel
  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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