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home·artworks·The Stoning of St. Stephen
The Stoning of St. Stephen by Vittore Carpaccio

plate no. 7269

The Stoning of St. Stephen

Vittore Carpaccio, 1520

canvas, temperaHigh Renaissancereligious paintingfigureslandscapearchitecturecityscapemountainsclouds
experienced study

Recreating this painting will help students develop skills in depicting complex figure arrangements and creating atmospheric perspective to suggest depth. It also provides practice in rendering detailed architectural elements and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition, focusing on the placement of figures and the cityscape.

  2. step 02

    Establish the horizon line and the basic shapes of the mountains and clouds.

  3. step 03

    Block in the main color masses for the sky, landscape, and figures, using thin washes of tempera.

  4. step 04

    Develop the details of the cityscape, paying attention to the perspective and architectural elements.

  5. step 05

    Refine the figures, adding details to their clothing, faces, and gestures.

  6. step 06

    Use layering and glazing techniques to build up depth and luminosity in the colors.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Finish by adding final details and adjusting the overall balance of the painting.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use thin glazes to create depth and luminosity in the colors.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Overworking the details too early
  • →Incorrect perspective in the cityscape
  • →Muddying the colors by overmixing
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·tempera paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·water
  • ·palette knife
  • ·soft cloth

optional

  • ·medium (for tempera)
  • ·retarder
  • ·varnish

Use high-quality tempera paints for best results. Prepare the canvas with gesso before painting.

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