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home·artworks·The Steps of the Church of S. S. Domenico-e-Siste in Rome
The Steps of the Church of S. S. Domenico-e-Siste in Rome by John Singer Sargent

plate no. 6940

The Steps of the Church of S. S. Domenico-e-Siste in Rome

John Singer Sargent, 1906

oil, canvasImpressionismcityscapearchitecturestairsbuildingskystoneworkcityscape
some experience helpful

Recreating this painting will help students develop skills in rendering form with broken color and understanding atmospheric perspective. It also provides practice in depicting complex architectural details using simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the architecture.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the darkest darks and lightest lights to create a sense of depth.

  4. step 04

    Begin adding details to the stonework, using broken color to suggest texture.

  5. step 05

    Refine the shapes and edges of the architectural elements.

  6. step 06

    Add highlights and shadows to create a sense of form.

  7. step 07

    Soften some edges to create atmospheric perspective.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix various shades of gray and beige by combining white, umber, yellow ochre, and small amounts of blue and sienna. Use more blue for cooler shadows and more sienna for warmer highlights.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·value study

common pitfalls

  • →Getting bogged down in details too early.
  • →Over-blending the colors, resulting in a muddy appearance.
  • →Ignoring the overall value structure.
  • →Failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints: titanium white, raw umber, yellow ochre, ultramarine blue, burnt sienna
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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