apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Start of the Goodwood Gold Cup
The Start of the Goodwood Gold Cup by John Frederick Herring Sr.

plate no. 7266

The Start of the Goodwood Gold Cup

John Frederick Herring Sr., 1832

oilRomanticismanimal paintinghorsesjockeystreesskylandscapefigures
some experience helpful

Recreating this painting will help students develop skills in depicting realistic animal anatomy and rendering subtle gradations of color to create form. Students will also practice creating atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the horses and figures.

  2. step 02

    Block in the main shapes of the horses with thin washes of color, focusing on accurate proportions and anatomy.

  3. step 03

    Gradually build up the form of the horses with layers of color, paying attention to highlights and shadows to create a sense of volume.

  4. step 04

    Paint the background landscape, starting with the sky and then moving to the trees and hills, using lighter values and less detail for elements further away.

  5. step 05

    Add details to the jockeys' clothing and faces, paying attention to the folds and wrinkles in the fabric.

  6. step 06

    Refine the details of the horses' tack and equipment, such as the saddles and bridles.

  7. step 07

    Add the shadows cast by the horses and figures onto the ground.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and realistic painting.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Mix burnt umber and raw sienna with white to achieve the various shades of brown for the horses. Use ultramarine blue and white for the sky, and mix greens for the foliage using blue, yellow, and brown.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering form

common pitfalls

  • →Incorrect proportions of the horses.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke