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home·artworks·The Star (Dancer on Stage)
The Star (Dancer on Stage) by Edgar Degas

plate no. 1632

The Star (Dancer on Stage)

Edgar Degas, 1878

pastelImpressionismgenre paintingdancerfigurestageperformancetututheater
experienced study

Students would develop skills in capturing movement and gesture, working with pastels to create soft atmospheric effects, and understanding how to suggest form through loose, expressive mark-making.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Start with light charcoal sketch to establish the dancer's pose and basic stage layout

  2. step 02

    Block in major color areas with broad pastel strokes - warm oranges for background, cool grays for stage floor

  3. step 03

    Develop the dancer's white tutu using overlapping strokes of white, pale blue, and warm gray

  4. step 04

    Add the background figure in dark silhouette with simple vertical strokes

  5. step 05

    Work on facial features and hair with careful attention to the upward gaze

  6. step 06

    Build up the colorful background foliage with broken color technique

  7. step 07

    Refine the tutu's volume and movement with selective blending

  8. step 08

    Add final highlights and color accents, especially the red flowers on the costume

color palette

primary · titanium white · burnt sienna · ultramarine blue · raw umber

secondary · cadmium orange · viridian green · alizarin crimson · yellow ochre

Layer pastels rather than blend heavily; use complementary colors side by side to create vibration and movement

techniques

  • ·pastel layering
  • ·broken color application
  • ·gesture drawing
  • ·atmospheric perspective
  • ·figure proportion

common pitfalls

  • →over-blending pastels losing freshness
  • →making the tutu too rigid or static
  • →losing the sense of movement in the pose
  • →overworking facial details

materials

surface · textured pastel paper, medium tooth, toned gray or warm beige

required

  • ·soft pastels set
  • ·pastel paper (toned gray or beige)
  • ·blending stumps
  • ·kneaded eraser
  • ·fixative spray
  • ·charcoal pencil for initial sketch

optional

  • ·hard pastels for details
  • ·pastel pencils
  • ·white conte crayon
  • ·workable fixative

Work standing up to capture the energy of the pose; keep pastels organized by color family for quick access

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related guides

color theory for painters →how to learn by studying the masters →
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