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home·artworks·The Standing Stone
The Standing Stone by Ferdinand du Puigaudeau

plate no. 4248

The Standing Stone

Ferdinand du Puigaudeau

oilImpressionismlandscapelandscapestanding stonefiguresskyfieldsmoke
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and blending colors to create a sense of depth and mood. It also provides practice in depicting subtle light variations and creating soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the standing stone, figures, and horizon line.

  2. step 02

    Establish the overall color scheme by blocking in the sky with a gradient of yellows and oranges.

  3. step 03

    Paint the standing stone and rocks, focusing on their form and shadows.

  4. step 04

    Add the figures, simplifying their shapes and focusing on their placement within the landscape.

  5. step 05

    Develop the field with layers of green and brown, adding small details to suggest texture.

  6. step 06

    Create the smoke trail using light, airy brushstrokes, blending it into the sky.

  7. step 07

    Refine the details, such as the highlights on the rocks and the subtle variations in the sky.

  8. step 08

    Add final touches to enhance the overall mood and atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium orange · ultramarine blue

Achieve the sky colors by mixing yellow ochre, cadmium orange, and white. Use burnt umber and white for the rocks, and mix greens with yellow ochre, ultramarine blue, and white.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, losing the overall impressionistic feel.
  • →Creating harsh lines and edges, failing to blend colors smoothly.
  • →Ignoring the subtle variations in light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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