apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Squatters
The Squatters by George Caleb Bingham

plate no. 0056

The Squatters

George Caleb Bingham, 1850

oil, canvasRomanticismgenre paintingfigurescabindogskylandscapetrees
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding atmospheric perspective. The painting also offers practice in depicting textures like wood and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, cabin, and landscape elements.

  2. step 02

    Block in the main color areas for the sky, ground, cabin, and figures using thin washes.

  3. step 03

    Develop the sky with soft gradations of blue and white, paying attention to the cloud formations.

  4. step 04

    Add details to the cabin, including the wood grain and shadows.

  5. step 05

    Refine the figures, focusing on accurate proportions and shading.

  6. step 06

    Paint the dog, paying attention to its anatomy and fur texture.

  7. step 07

    Develop the landscape in the background, using atmospheric perspective to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black · cadmium yellow light

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ivory black with white. Use ultramarine blue and white to create the sky, and add a touch of yellow ochre for warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering textures

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of figures
  • →Failing to create a sense of depth
  • →Using too much paint and losing the subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke