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home·artworks·The spinner
The spinner by Gerolamo Induno

plate no. 3219

The spinner

Gerolamo Induno, 1863

oil, canvasRomanticismgenre paintingfigureinteriorspinning wheelcabinetfireplacedomestic scene
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, starting with the background and larger shapes like the dress and walls.

  4. step 04

    Begin refining the figure's features and clothing, paying attention to light and shadow.

  5. step 05

    Add details to the spinning wheel, cabinet, and other objects in the room.

  6. step 06

    Develop the textures of the walls, floor, and fabrics using varied brushstrokes.

  7. step 07

    Glaze thin layers of color to adjust the tones and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · viridian green · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black with white. Use small amounts of viridian green and cadmium red to create subtle variations in the skin tones and fabrics.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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