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home·artworks·The Sphinx Half in Shadow and Chephren Pyramid, Giza, Egypt
The Sphinx Half in Shadow and Chephren Pyramid, Giza, Egypt by Nathaniel Hone the Younger

plate no. 4062

The Sphinx Half in Shadow and Chephren Pyramid, Giza, Egypt

Nathaniel Hone the Younger, 1892

oilImpressionismlandscapesphinxpyramiddesertskyarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in watercolor washes and creating depth through layering and value changes. It also offers practice in capturing form with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the sphinx and pyramid, paying attention to their proportions and placement.

  2. step 02

    Apply a light wash of diluted blue for the sky, leaving some areas unpainted for clouds.

  3. step 03

    Mix a light tan color and apply a thin wash over the desert and pyramid, establishing the base tone.

  4. step 04

    Using a slightly darker tan, begin to define the shadows on the pyramid and the sphinx.

  5. step 05

    Add darker browns and blues to the sphinx to create deeper shadows and define its features.

  6. step 06

    Use dry brush techniques with darker browns to add texture to the desert and the sphinx's surface.

  7. step 07

    Add small details like the figures in the distance with quick, gestural strokes.

  8. step 08

    Evaluate the painting and add any final touches to balance the composition and values.

color palette

primary · raw umber · cerulean blue · burnt sienna

secondary · ivory black · white

Mix raw umber and burnt sienna for the various earth tones. Add a touch of blue to the umber for the darker shadows. Dilute colors with water to create transparent washes.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·value control
  • ·wet-on-dry

common pitfalls

  • →Overworking the details
  • →Using too much water and creating muddy colors
  • →Not establishing a clear value range
  • →Making the initial sketch too rigid

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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