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home·artworks·The Sphinx at Gizeh
The Sphinx at Gizeh by William Holman Hunt

plate no. 9779

The Sphinx at Gizeh

William Holman Hunt, 1854

watercolorRomanticismlandscapesphinxdesertlandscapeskyrockssnake
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in rendering complex geological forms with light and shadow. It also provides practice in depicting atmospheric perspective in a desert landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the sphinx, the surrounding rocks, and the distant landscape.

  2. step 02

    Block in the sky with a light blue wash, allowing for subtle variations in tone.

  3. step 03

    Apply a base layer of warm yellow and ochre to the desert and rocks, establishing the overall color scheme.

  4. step 04

    Begin layering darker tones of burnt sienna and umber to define the shadows and contours of the rocks and sphinx.

  5. step 05

    Add details to the sphinx, paying attention to the horizontal striations and the texture of the stone.

  6. step 06

    Paint the distant hills and trees, using lighter values and less detail to create atmospheric perspective.

  7. step 07

    Carefully render the snake in the foreground, using dark browns and blacks with subtle highlights.

  8. step 08

    Add final highlights and details to enhance the sense of depth and realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · cadmium yellow

Mix various shades of brown and ochre by combining burnt sienna, raw umber, and yellow ochre. Use white to lighten these colors for highlights and to create a sense of distance.

techniques

  • ·layering
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create sufficient contrast between light and shadow.
  • →Using colors that are too saturated, resulting in an unrealistic depiction of the desert landscape.
  • →Ignoring the subtle variations in color and texture of the rocks and sand.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paints for best results. Consider using a tinted paper for a warmer base tone.

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watercolor techniques →how to learn by studying the masters →
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