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home·artworks·The South Side of St Mark
The South Side of St Mark by John Ruskin

plate no. 5218

The South Side of St Mark

John Ruskin, 1851

oilRomanticismcityscapearchitecturecolumnsarchesbuildingcityscape
experienced study

Recreating this painting will help students develop skills in architectural rendering, perspective, and creating subtle value gradations to suggest form and light. It also provides practice in capturing intricate details with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, paying attention to perspective and proportions.

  2. step 02

    Establish the main light source and map out areas of light and shadow.

  3. step 03

    Begin with a thin wash of diluted neutral gray or light ochre to establish the overall tone.

  4. step 04

    Gradually build up darker values in the shadows, using multiple layers of diluted color.

  5. step 05

    Add details to the columns, arches, and decorative elements, using a fine brush.

  6. step 06

    Use dry brush techniques to create texture on the stone surfaces.

  7. step 07

    Refine the details and adjust values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights to emphasize the light source.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Achieve the various shades of gray and stone by mixing raw umber, ivory black, and titanium white in different proportions. Add small amounts of yellow ochre or burnt sienna for warmth.

techniques

  • ·glazing
  • ·dry brushing
  • ·linear perspective
  • ·value studies
  • ·architectural rendering

common pitfalls

  • →Getting the perspective wrong, leading to a distorted image.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Failing to establish a clear value structure, making the painting appear flat.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·ruler
  • ·masking fluid
  • ·palette knife

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of washes. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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