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home·artworks·The Source of Infection
The Source of Infection by Iurie Matei

plate no. 7930

The Source of Infection

Iurie Matei, 2008

oilMagic Realismsymbolic paintingviolinfigurineportraitswalnutsdrawersbugs
experienced study

Recreating this painting will develop skills in rendering textures like wood and metal, as well as creating depth through layering and atmospheric perspective. Students will also learn to manage a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the main elements.

  2. step 02

    Establish the background color and general lighting.

  3. step 03

    Block in the main shapes of the violin, figurine, and other objects with their base colors.

  4. step 04

    Start adding details and textures to the violin, focusing on the wood grain and varnish.

  5. step 05

    Work on the figurine, adding details to the clothing and facial features.

  6. step 06

    Paint the portraits and other images in the background, paying attention to their relative size and placement.

  7. step 07

    Add the walnuts and other small details, focusing on their form and texture.

  8. step 08

    Refine the lighting and shadows, adding highlights and details to create depth and realism.

color palette

primary · burnt umber · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · viridian green · raw sienna

Achieve the background teal by mixing ultramarine blue with white and a touch of yellow ochre. Create realistic wood tones by layering burnt umber, raw sienna, and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the objects.
  • →Overworking the details and losing the freshness of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

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oil painting for beginners →how to learn by studying the masters →
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