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home·artworks·The Sound of the Flute
The Sound of the Flute by Xu Beihong

plate no. 0036

The Sound of the Flute

Xu Beihong

oilRomanticismgenre paintingfigureflutelandscapetreesbirdsportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing subtle facial expressions and rendering realistic skin tones. It also provides practice in creating atmospheric perspective and using a limited color palette to achieve a cohesive mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, flute, and basic landscape elements.

  2. step 02

    Establish the background with broad washes of muted yellows, browns, and greens, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, focusing on proportions and basic values.

  4. step 04

    Develop the skin tones using layers of thin glazes, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, hands, and flute, adding subtle variations in color and texture.

  6. step 06

    Add the dark details of the clothing and surrounding trees, using thicker paint and visible brushstrokes.

  7. step 07

    Introduce the birds in the background with thin white paint.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall mood.

color palette

primary · raw umber · yellow ochre · titanium white · burnt sienna

secondary · ultramarine blue · alizarin crimson

Achieve the skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small touches of alizarin crimson for warmth. Use raw umber and ultramarine blue to create the dark tones for the clothing and trees. Muted greens are achieved by mixing yellow ochre and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →overworking the skin tones
  • →losing the atmospheric perspective
  • →using colors that are too saturated
  • →neglecting the importance of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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