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home·artworks·The Son made a circle, and his Father and he took their places within it, and the little black Mannikin appeared
The Son made a circle, and his Father and he took their places within it, and the little black Mannikin appeared by Arthur Rackham

plate no. 1891

The Son made a circle, and his Father and he took their places within it, and the little black Mannikin appeared

Arthur Rackham

oilArt Nouveau (Modern)illustrationfigureslandscapetreescreaturefantasyillustration
experienced study

Recreating this painting will help students develop skills in detailed linework, creating depth through layering, and rendering fantastical creatures with expressive features. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the placement of figures and landscape elements.

  2. step 02

    Define the main shapes and forms with a pencil, paying attention to proportions and perspective.

  3. step 03

    Begin with the background, layering washes of color to create depth and atmosphere.

  4. step 04

    Develop the figures, starting with light washes and gradually adding darker tones for shading and detail.

  5. step 05

    Use fine lines to define the details of the creature, trees, and clothing.

  6. step 06

    Add highlights to create contrast and bring out the forms.

  7. step 07

    Refine the linework and add any final details.

  8. step 08

    Consider adding a sepia wash to unify the image

color palette

primary · sepia · payne's gray · raw umber

secondary · cerulean blue · burnt sienna · ivory black

Achieve the muted tones by mixing primary colors with white or gray. Use washes of diluted colors to build up depth and create subtle variations.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·layering washes
  • ·fine linework

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by overmixing
  • →Losing the overall composition by focusing too much on individual elements
  • →Not establishing a clear value structure

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·fine liner pens
  • ·round brushes (sizes 0-4)
  • ·pencil
  • ·eraser
  • ·palette

optional

  • ·sepia ink
  • ·ruler
  • ·masking fluid

Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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