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home·artworks·The Soldier's Return
The Soldier's Return by Marcus Stone

plate no. 8459

The Soldier's Return

Marcus Stone, 1900

oilRomanticismgenre paintingfiguregardenarchitectureplantstreesclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as creating depth and atmosphere in a landscape setting. Students will also learn about color mixing and value control to create a sense of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures, sundial, and landscape elements.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin blocking in the local colors of the figures, clothing, and foliage.

  4. step 04

    Develop the details of the faces, hands, and other focal points.

  5. step 05

    Refine the values and colors to create a sense of depth and atmosphere.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Pay attention to the edges of objects, softening them where appropriate to create a sense of atmosphere.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · sap green · alizarin crimson

Mix various shades of green for the foliage by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create skin tones by mixing titanium white, cadmium red light, and yellow ochre, with small amounts of burnt umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated or bright.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help to establish a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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