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home·artworks·the Sketcher
the Sketcher by Asher Brown Durand

plate no. 7307

the Sketcher

Asher Brown Durand, 1870

oilRomanticismlandscapetreesrivermountainslandscapefigurerocks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic textures of trees, rocks, and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, river, and mountains.

  2. step 02

    Establish the sky with a gradient of yellow and light blue, blending smoothly.

  3. step 03

    Block in the distant mountains with muted browns and blues to create atmospheric perspective.

  4. step 04

    Begin layering the trees, starting with the darker areas in the background and gradually adding lighter greens and yellows towards the foreground.

  5. step 05

    Paint the river, using darker blues and greens in the deeper areas and lighter, more reflective colors where the water is shallow.

  6. step 06

    Add details to the rocks, using a dry brush technique to create texture.

  7. step 07

    Introduce the figures, paying attention to their scale and placement within the landscape.

  8. step 08

    Refine the details of the trees in the foreground, adding highlights and shadows to create depth.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix greens by combining ultramarine blue and cadmium yellow, adjusting the ratio for different shades. Use burnt umber and ultramarine blue to create dark, muted tones for shadows. Add titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brush
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much bright green, which can make the painting look unnatural.
  • →Neglecting the importance of value contrast, which can make the painting look flat.
  • →Failing to create a sense of depth in the river.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, sap green, cadmium yellow, alizarin crimson)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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