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The Sisters by Laslett John Pott

plate no. 1298

The Sisters

Laslett John Pott, 1879

oilRomanticismgenre paintingfigureswomengardenrosesbrick wallfoliage
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the subtle nuances of light and shadow on complex forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the main elements of the background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, paying attention to the local color and the effect of light.

  4. step 04

    Begin refining the details of the figures, starting with the faces and hands.

  5. step 05

    Develop the drapery folds and textures of the clothing, using a combination of blending and layering techniques.

  6. step 06

    Add the details of the garden background, focusing on the foliage and the brick wall.

  7. step 07

    Refine the highlights and shadows, paying attention to the direction and intensity of the light.

  8. step 08

    Add final details, such as the roses and the textures of the basket.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · ultramarine blue · sap green · raw umber

Achieve skin tones by mixing titanium white, yellow ochre, and alizarin crimson. Use ultramarine blue and burnt sienna to create neutral grays and browns for shadows.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or too bright.
  • →Ignoring the effect of light on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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