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The Sisters by Edmund Charles Tarbell

plate no. 0835

The Sisters

Edmund Charles Tarbell, 1921

oil, canvasImpressionismportraitfiguresportraitclothinghatinteriorsisters
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and skin tones, as well as understanding how to use loose brushwork to create form and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and the background.

  2. step 02

    Establish the overall value structure with thin washes of color, focusing on the light and shadow patterns.

  3. step 03

    Begin to build up the skin tones, mixing colors carefully to match the subtle variations in hue and value.

  4. step 04

    Paint the clothing, using looser brushstrokes to suggest the folds and textures of the fabric.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, paying close attention to their placement and proportions.

  6. step 06

    Refine the background, adding subtle details and textures to create depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red light · yellow ochre · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Vary the proportions to create different shades and hues. Use ultramarine blue and burnt umber to create a range of grays and browns.

techniques

  • ·portraiture
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the subtle variations in skin tone.
  • →Getting the proportions of the figures wrong.
  • →Ignoring the overall value structure and creating a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium red light, yellow ochre, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve its flow and drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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