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home·artworks·The Sister of Mercy
The Sister of Mercy by Ary Scheffer

plate no. 1286

The Sister of Mercy

Ary Scheffer, 1831

oilRomanticismgenre paintingfiguresinteriorbedchildrennunscene
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and practice creating a sense of depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the overall warm, muted color palette with a thin wash of burnt umber and yellow ochre.

  3. step 03

    Block in the main shapes and values of the figures and background, focusing on the light source and shadows.

  4. step 04

    Start refining the details of the faces and clothing, using small brushstrokes and subtle color variations.

  5. step 05

    Add the details of the interior, such as the bed, furniture, and background elements.

  6. step 06

    Pay attention to the edges and soften them to create a sense of atmosphere.

  7. step 07

    Glaze with thin layers of color to unify the painting and add depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · alizarin crimson · ivory black

Achieve the warm, muted tones by mixing burnt umber and yellow ochre with varying amounts of white. Use alizarin crimson to create subtle reds and purples in the shadows. Add ivory black sparingly to deepen the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh edges and outlines.
  • →Failing to establish a clear light source.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, raw sienna, alizarin crimson, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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