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home·artworks·The Sinner
The Sinner by John Collier

plate no. 9759

The Sinner

John Collier, 1904

oilRomanticismportraitfigurewomanclothingwoodinteriorportrait
some experience helpful

Recreating this painting will help students develop skills in rendering fabric with subtle color shifts and creating a sense of depth through atmospheric perspective and value control. It also provides practice in capturing the likeness and emotion of a figure.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure and the confessional booth.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Start refining the figure's face, paying close attention to the subtle shifts in value and color to capture the likeness and expression.

  4. step 04

    Develop the folds and drapery of the clothing, focusing on how light interacts with the fabric to create form.

  5. step 05

    Work on the wooden structure of the confessional, building up layers of color to create depth and texture.

  6. step 06

    Add details such as the flowers on the hat and the hands, refining the edges and adding highlights.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of atmosphere and mood.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the subtle color variations in the fabric by mixing small amounts of alizarin crimson and ultramarine blue into the base colors. Use white to lighten values and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Not paying attention to the subtle color shifts in the fabric.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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