
plate no. 9668
John Frederick Lewis, 1876
Recreating this painting will help students develop skills in depicting fabric folds, rendering skin tones in soft light, and creating depth through layering and atmospheric perspective. It also provides practice in capturing the texture of different materials with varied brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the main compositional elements: figure, couch, table, windows, and flower arrangement.
Establish the basic color blocks for the background, couch, figure's dress, and table cloth using thin washes.
Begin layering darker values to define the shadows and folds in the fabric.
Develop the skin tones of the figure, paying attention to the subtle shifts in color and value.
Add details to the flower arrangement, focusing on capturing the shapes and colors of the individual blooms.
Refine the details of the architectural elements, such as the window latticework.
Add the final highlights and details to create a sense of depth and realism.
Glaze with thin layers of color to unify the painting and adjust the overall tone.
color palette
primary · viridian green · yellow ochre · burnt umber · titanium white
secondary · cadmium orange · alizarin crimson · ultramarine blue
Achieve the various greens by mixing viridian green with yellow ochre and white. Create the skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and ultramarine blue for the darker shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.
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