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home·artworks·The Shipyard at Hessle Cliff
The Shipyard at Hessle Cliff by John Wilson Carmichael

plate no. 9799

The Shipyard at Hessle Cliff

John Wilson Carmichael, 1820

oilRomanticismgenre paintingshipswaterfiguresskybuildingsharbor
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex scenes with many small details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ships, buildings, and horizon line.

  2. step 02

    Establish the sky with a light, blended wash of color, creating a sense of atmosphere.

  3. step 03

    Block in the large shapes of the land and water, paying attention to the overall value structure.

  4. step 04

    Begin adding details to the ships and buildings, gradually increasing the level of complexity.

  5. step 05

    Develop the reflections in the water, using slightly darker and less defined versions of the objects above.

  6. step 06

    Add the figures in the boat and on the shore, keeping them small and in proportion to the overall scene.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall impact of the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color for the sky and water, and thicker paint for the details of the ships and buildings.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·rendering reflections
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early
  • →Ignoring the overall value structure
  • →Making the reflections too sharp or defined
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Thin the paint with linseed oil or turpentine for glazing and blending.

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