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home·artworks·The Ship Yard, Cos Cob
The Ship Yard, Cos Cob by Theodore Robinson

plate no. 5944

The Ship Yard, Cos Cob

Theodore Robinson, 1894

oilImpressionismlandscapebuildingsboatstreeswaterlandscapesky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, boats, and horizon line using a light pencil.

  2. step 02

    Block in the sky with a thin wash of pale gray and pink.

  3. step 03

    Establish the main color masses for the buildings using a mix of red, brown, and white.

  4. step 04

    Paint the trees and foliage with various shades of green, blue, and brown, using broken brushstrokes.

  5. step 05

    Block in the field with a mix of yellow, green, and brown, varying the colors to create depth.

  6. step 06

    Add the water using horizontal strokes of gray, blue, and green, reflecting the sky and surrounding landscape.

  7. step 07

    Refine the details of the boats and buildings, paying attention to the light and shadow.

  8. step 08

    Add final touches and highlights to create a sense of atmosphere and realism.

color palette

primary · red oxide · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · sap green · raw sienna

Mix red oxide and burnt umber for the buildings. Use yellow ochre and sap green for the field. Mix ultramarine blue and white for the sky and water, adding touches of red oxide for warmth.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle variations in color and value.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·turpentine
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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