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home·artworks·The Selector's Hut (Whelan on the Log)
The Selector's Hut (Whelan on the Log) by Arthur Streeton

plate no. 1880

The Selector's Hut (Whelan on the Log)

Arthur Streeton, 1890

oilImpressionismgenre paintinglandscapefiguretreehutskylog
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing light effects in a landscape. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the position of the hut, the tree, and the figure.

  2. step 02

    Block in the sky with light blue, creating subtle variations in tone to suggest clouds.

  3. step 03

    Establish the base colors for the landscape, using a mix of browns, yellows, and greens.

  4. step 04

    Paint the hut, paying attention to the light and shadow on its surfaces.

  5. step 05

    Add the tree, focusing on the trunk and branches, and suggesting foliage with loose brushstrokes.

  6. step 06

    Paint the figure, simplifying the details and focusing on the overall form and pose.

  7. step 07

    Add details to the foreground, such as logs and vegetation, using varied brushstrokes to create texture.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · cadmium yellow · raw sienna

Mix ultramarine and white for the sky. Use yellow ochre and burnt umber for the landscape, adjusting the ratios to create variations in tone. Add small amounts of cadmium yellow for highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Creating too much contrast, flattening the sense of depth.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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