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home·artworks·The Seine below the Pont d'Lena
The Seine below the Pont d'Lena by Berthe Morisot

plate no. 5921

The Seine below the Pont d'Lena

Berthe Morisot, 1866

oil, canvasImpressionismlandscaperiverboatsbridgeskytreesbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for muted tones, and capturing reflections in water. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, bridge, boats, and major landmasses.

  2. step 02

    Block in the sky with light washes of muted colors, focusing on the overall tonal value.

  3. step 03

    Establish the dark values of the trees and buildings in the background.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections of the boats and sky.

  5. step 05

    Add details to the boats, bridge, and foreground vegetation, using thicker paint and visible brushstrokes.

  6. step 06

    Refine the values and colors throughout the painting, paying attention to the atmospheric perspective.

  7. step 07

    Add final highlights and details to create depth and interest.

  8. step 08

    Let dry and add a varnish

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, yellow and purple) with white. Use raw umber and white for many of the shadows. Add small amounts of blue to the sky and water to create depth.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Creating overly saturated colors.
  • →Ignoring the importance of value relationships.
  • →Making the reflections too literal and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (raw umber, titanium white, yellow ochre, ultramarine blue, burnt sienna)
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil or other painting medium
  • ·palette knife
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a limited palette to simplify color mixing and create a harmonious effect. A toned canvas (e.g., with a thin wash of raw umber) can be helpful.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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