apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Seine at Saint Mammes
The Seine at Saint Mammes by Alfred Sisley

plate no. 5027

The Seine at Saint Mammes

Alfred Sisley, 1888

oil, canvasImpressionismlandscaperiverbridgebuildingstreesskywater
some experience helpful

Recreating this painting will help students understand color mixing for atmospheric perspective and how to create texture with visible brushstrokes. It also offers practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: horizon line, riverbank, bridge, and building masses.

  2. step 02

    Block in the sky with light blue and white, blending loosely.

  3. step 03

    Establish the water using varying shades of blue and green, applying short, horizontal strokes.

  4. step 04

    Paint the distant trees and hills with darker greens and blues, softening the edges.

  5. step 05

    Add the bridge with light gray and white, paying attention to the perspective.

  6. step 06

    Block in the buildings with light colors, adding details like roofs and windows.

  7. step 07

    Add details to the foreground, such as figures and reflections in the water.

  8. step 08

    Refine the colors and values, paying attention to the overall harmony of the painting.

color palette

primary · cerulean blue · titanium white · yellow ochre

secondary · viridian green · burnt umber · cadmium red light

Mix blues and whites for the sky and water. Use yellow ochre and burnt umber for the sand and buildings. Add small amounts of red to neutralize greens.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·Impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the distant elements.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann