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home·artworks·The School of the Teacher Rafael Cordero
The School of the Teacher Rafael Cordero by Francisco Oller

plate no. 3415

The School of the Teacher Rafael Cordero

Francisco Oller, 1892

oilImpressionismgenre paintingfigureschildrenclassroominteriorarchitectureportraits
experienced study

Recreating this painting will help students develop skills in rendering figures with subtle skin tones and capturing the nuances of light and shadow in an interior scene. It also provides practice in creating a complex composition with multiple subjects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background elements, such as the wall, doorway, and exterior view.

  4. step 04

    Refine the figures, paying close attention to the skin tones and facial features.

  5. step 05

    Add details to the clothing and objects in the scene.

  6. step 06

    Adjust the lighting and shadows to create depth and dimension.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and make any necessary adjustments to the overall composition and color balance.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white, with small amounts of cadmium red and ultramarine blue for subtle variations. Use yellow ochre and raw umber to create the warm tones of the interior.

techniques

  • ·figure drawing
  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Muddy skin tones
  • →Overworking details too early
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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