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home·artworks·The School of Athens (detail)
The School of Athens (detail) by Raphael

plate no. 2703

The School of Athens (detail)

Raphael, 1511

frescoHigh Renaissancehistory paintingfiguresrobesglobebeardhistoricalportrait
experienced study

Recreating this painting will help students develop skills in portraiture, rendering drapery, and achieving subtle gradations in skin tones. It also provides practice in capturing realistic textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions, paying attention to proportions.

  2. step 02

    Block in the basic shapes and colors of the background and figures using thin washes.

  3. step 03

    Begin layering colors to build up the skin tones, focusing on subtle shifts in value and hue.

  4. step 04

    Define the drapery folds and highlights using darker and lighter shades of the base colors.

  5. step 05

    Add details to the faces, such as eyes, noses, and mouths, using fine brushes.

  6. step 06

    Render the textures of the hair and beards with short, broken brushstrokes.

  7. step 07

    Paint the globes, carefully depicting the continents and celestial markings.

  8. step 08

    Refine the overall composition and add any final details or highlights.

color palette

primary · raw umber · yellow ochre · titanium white · ivory black

secondary · ultramarine blue · cadmium red light · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red or umber. Use ultramarine and white for cooler tones in the drapery. Mix viridian with yellow ochre for the green accents.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →overmixing colors resulting in muddy tones
  • →getting proportions wrong in the initial sketch
  • →flattening the forms by not paying attention to light and shadow
  • →overworking details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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