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home·artworks·The San Giovanni Crisostomo canal, Venice
The San Giovanni Crisostomo canal, Venice by Martín Rico y Ortega

plate no. 5460

The San Giovanni Crisostomo canal, Venice

Martín Rico y Ortega

oilImpressionismcityscapecanalbuildingswaterboatsskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering reflections in water and creating depth through atmospheric perspective. It also provides practice in capturing architectural details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and canal, paying attention to perspective.

  2. step 02

    Block in the main color areas for the sky, buildings, and water using thin washes.

  3. step 03

    Establish the darkest shadows and lightest highlights on the buildings to create form.

  4. step 04

    Add details to the buildings, such as windows, balconies, and architectural features, using smaller brushes.

  5. step 05

    Develop the reflections in the water, using broken brushstrokes to suggest movement.

  6. step 06

    Paint the boats and figures, keeping them relatively simple and suggestive.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · raw umber · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of brown and gray by combining burnt sienna, raw umber, ultramarine blue, and white. Use yellow ochre and cadmium red light to create the warm tones of the buildings. Add viridian to the blues and browns to create the greenish hues of the water.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·wet-on-dry

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong value structure, resulting in a flat painting.
  • →Making the reflections too literal and symmetrical.
  • →Ignoring the subtle color variations in the water and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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