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home·artworks·The sacrifice of the virgin in the Nile
The sacrifice of the virgin in the Nile by Federico Faruffini

plate no. 9805

The sacrifice of the virgin in the Nile

Federico Faruffini, 1865

oilRomanticismhistory paintingfigurewaterarchitectureskyflowerssacrifice
experienced study

Recreating this painting will help students develop skills in figure painting, rendering reflections in water, and creating atmospheric perspective. It also offers practice in depicting complex scenes with many figures and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the platform, the figure in the water, and the general placement of the crowd.

  2. step 02

    Establish the dark values of the water and the shadows on the platform using a dark brown or black.

  3. step 03

    Block in the basic colors of the architecture and the figures, focusing on their overall tones rather than details.

  4. step 04

    Start building up the details of the figures on the platform, paying attention to their poses and interactions.

  5. step 05

    Add the reflections in the water, using slightly desaturated versions of the colors above.

  6. step 06

    Paint the figure in the water, focusing on the highlights and shadows to create a sense of volume.

  7. step 07

    Add the flowers and other details floating in the water.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red · viridian

Mix various shades of brown and ochre for the architecture. Use ultramarine blue and white for the sky and water reflections. Mix red and white for the figures' clothing.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·rendering reflections
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the effects of light and shadow on the figures and architecture
  • →Overworking the reflections, making them too sharp

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Burnt umber oil paint
  • ·Yellow ochre oil paint
  • ·Titanium white oil paint
  • ·Ultramarine blue oil paint
  • ·Cadmium red oil paint
  • ·Viridian oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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