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home·artworks·The Roofs of Paris in the Snow
The Roofs of Paris in the Snow by Auguste Herbin

plate no. 9543

The Roofs of Paris in the Snow

Auguste Herbin, 1902

oilImpressionismcityscapecityscapesnowbuildingsroofschimneystrees
some experience helpful

Recreating this painting will help students develop skills in pointillism and broken color techniques, as well as understanding atmospheric perspective and creating a sense of depth through color and value.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and rooftops, paying attention to their relative sizes and positions.

  2. step 02

    Establish a light gray base tone for the sky and snowy areas.

  3. step 03

    Begin applying small dots of color to the sky, using blues, grays, and whites to create a sense of atmosphere.

  4. step 04

    Work on the buildings, using a variety of colors to represent the different materials and textures, focusing on the color variations within the shadows and highlights.

  5. step 05

    Add the snow on the rooftops, using white and light gray dots, and indicating the direction of the snowfall.

  6. step 06

    Paint the bare trees in the foreground, using thin lines and small dots of brown and gray.

  7. step 07

    Continue layering dots of color throughout the painting, refining the shapes and values.

  8. step 08

    Add final details, such as the chimneys and other architectural elements.

color palette

primary · titanium white · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of gray by combining white with small amounts of blue, umber, and ochre. Create subtle color variations by layering dots of different colors on top of each other.

techniques

  • ·pointillism
  • ·broken color
  • ·atmospheric perspective
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, leading to a muddy appearance.
  • →Applying dots too uniformly, resulting in a flat and lifeless painting.
  • →Ignoring the subtle color variations within the shadows and highlights.
  • →Losing the overall composition by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0-4)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Experiment with different brush sizes to achieve varying dot sizes.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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