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home·artworks·The Romanian Soldiers of the 3rd Regiment of the Legione Romena Receving the Flag, at the Ceremony of Military Oath on January 26, 1919 in Sena Square in Rome.
The Romanian Soldiers of the 3rd Regiment of the Legione Romena Receving the Flag, at the Ceremony of Military Oath on January 26, 1919 in Sena Square in Rome. by Achille Beltrame

plate no. 4213

The Romanian Soldiers of the 3rd Regiment of the Legione Romena Receving the Flag, at the Ceremony of Military Oath on January 26, 1919 in Sena Square in Rome.

Achille Beltrame, 1919

oilArt Nouveau (Modern)illustrationsoldiersflagceremonypriesttreesbuilding
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective to create depth. It also provides practice in rendering fabric and details in a muted color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of figures and the horizon line.

  2. step 02

    Block in the large shapes of color, starting with the sky and ground.

  3. step 03

    Establish the values of the figures and the building in the background.

  4. step 04

    Add details to the figures, including clothing, faces, and the flag.

  5. step 05

    Refine the details of the trees and foliage, using varying shades of green and brown.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the details on the table and the priest's robes.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced composition.

color palette

primary · gray · beige · light blue · brown

secondary · red · yellow · dark blue · white

Achieve the muted tones by mixing complementary colors with white or gray. Use a limited palette to maintain harmony.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·color mixing
  • ·layering
  • ·rendering fabric

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of figures
  • →Muddying colors by overmixing
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·retarder
  • ·easel

Use a toned canvas to help establish the overall color scheme. Consider using a limited palette of colors to simplify the mixing process.

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