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home·artworks·The Road to St. Fidele
The Road to St. Fidele by A.Y. Jackson

plate no. 8779

The Road to St. Fidele

A.Y. Jackson, 1930

oilArt Nouveau (Modern)landscapelandscapesnowbuildingshillsskyclouds
some experience helpful

Recreating this painting will help students learn to mix realistic snow colors and create depth using atmospheric perspective. It also provides practice in depicting simple structures and landscapes with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, hills, and road.

  2. step 02

    Block in the sky and distant hills with light blues and grays.

  3. step 03

    Establish the main areas of snow, using a base of white mixed with blues, yellows, and browns to create variations in tone.

  4. step 04

    Paint the buildings with dark browns and grays, adding details like windows and doors.

  5. step 05

    Define the road with warm browns and grays, creating the illusion of depth and texture.

  6. step 06

    Add details like the fences and figures, using small brushstrokes to create texture.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Add final details and adjust colors as needed to match the original painting.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw sienna · payne's gray

Mix white with small amounts of blue, yellow, and brown to create the various shades of snow. Use ultramarine blue and burnt umber to create a range of grays for the sky and shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing
  • ·impasto

common pitfalls

  • →Using pure white for the snow, which can look flat and unrealistic.
  • →Overworking the details, which can detract from the overall impression.
  • →Failing to create a sense of depth and distance.
  • →Not varying the brushstrokes enough, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to enhance the brushstroke effect. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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