apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Road Side Inn, Somerset
The Road Side Inn, Somerset by William Shayer

plate no. 8502

The Road Side Inn, Somerset

William Shayer

oil, canvasRomanticismgenre paintingbuildingfigureshorsestreesskylandscape
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing to achieve realistic tones, and rendering complex forms with light and shadow. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, figures, and horizon line.

  2. step 02

    Establish the sky with broad washes of color, blending the tones to create a soft, atmospheric effect.

  3. step 03

    Block in the main shapes of the trees and foliage, using darker values in the shadows and lighter values in the highlights.

  4. step 04

    Begin to define the building, paying attention to the details of the roof, windows, and walls.

  5. step 05

    Add the figures and horses, focusing on their proportions and placement within the scene.

  6. step 06

    Develop the foreground details, including the road, water, and vegetation.

  7. step 07

    Refine the details throughout the painting, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red

Achieve the muted greens by mixing yellow ochre with ultramarine blue and a touch of raw umber. Create the warm browns by combining burnt sienna, raw umber, and yellow ochre. Use white to lighten values and create atmospheric effects.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, titanium white, yellow ochre, ultramarine blue, burnt sienna, cadmium red)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke