
plate no. 4010
Thomas Girtin, 1800
Recreating this painting will help students develop skills in layering washes and creating atmospheric perspective. It will also improve their ability to suggest detail rather than rendering every element precisely.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the buildings, river, trees, and bridge.
Apply a light wash of diluted grey-blue for the sky and river, allowing it to dry.
Begin layering in the darker tones of the trees and cliff face using a mix of browns and greens.
Add the base colors for the buildings, using light washes of ochre and grey.
Define the shapes of the buildings and trees with slightly darker washes, adding shadows and details.
Introduce warmer tones to the rooftops and sandy areas of the riverbed.
Add final details with a fine brush, such as the windows and the texture of the cliff face.
Evaluate and adjust values to enhance depth and atmosphere.
color palette
primary · raw umber · ultramarine blue · yellow ochre
secondary · burnt sienna · payne's gray
Mix raw umber and ultramarine for the cool grays and greens. Use yellow ochre and burnt sienna for the warmer tones in the buildings and riverbed. Dilute with water to achieve varying values.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to allow for layering and prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke