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home·artworks·The River
The River by O. Louis Guglielmi

plate no. 5142

The River

O. Louis Guglielmi, 1942

oilMagic Realismcityscaperiverfigurescityscapebridgeskywater
some experience helpful

This painting provides practice in rendering figures in perspective and capturing the subtle color variations in water and sky. Students can also learn about creating a sense of depth through atmospheric perspective and linear perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the bridge and the placement of the figures.

  2. step 02

    Block in the large areas of color: sky, water, bridge, and buildings in the distance.

  3. step 03

    Begin refining the colors of the water, paying attention to the subtle shifts in tone and value.

  4. step 04

    Add details to the buildings in the distance, using a lighter value to create atmospheric perspective.

  5. step 05

    Paint the figures, focusing on accurate proportions and simple shading.

  6. step 06

    Add details to the bridge, including the railings, lampposts, and tire tracks.

  7. step 07

    Refine the shadows and highlights throughout the painting to create depth and dimension.

  8. step 08

    Add final details and touch-ups as needed.

color palette

primary · cerulean blue · titanium white · raw umber

secondary · cadmium red light · yellow ochre · burnt sienna

Mix various shades of blue and white for the sky and water. Use raw umber and white for the concrete bridge, adding touches of blue and red for subtle color variations. Mix red and yellow for the figures' clothing.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·color mixing
  • ·blending
  • ·rendering figures

common pitfalls

  • →Incorrect perspective of the bridge
  • →Overly saturated colors
  • →Lack of variation in the water's surface
  • →Figures that are out of proportion
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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