
plate no. 8034
Frederick Sandys, 1858
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice creating depth and texture through layering and glazing.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and background elements.
Establish the main value structure with a thin wash of burnt umber or similar neutral tone.
Block in the main colors of the background, including the wall, foliage, and architectural details.
Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.
Paint the clothing, paying attention to the folds and drapery.
Add details to the face, including the eyes, nose, and mouth.
Refine the foliage and other details in the background.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · yellow ochre · cadmium red light · viridian
Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Create the darks in the coat by mixing black with burnt umber. Use viridian and yellow ochre to achieve the green hues of the foliage.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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