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home·artworks·The Return
The Return by Thomas Cole

plate no. 0834

The Return

Thomas Cole, 1838

oil, canvasRomanticismlandscapelandscapechurchtreesfiguresmountainssky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details. It also provides practice in creating depth and capturing the subtle nuances of light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective.

  2. step 02

    Block in the main shapes and colors of the sky and distant mountains using thin washes.

  3. step 03

    Establish the basic forms of the church and surrounding trees, paying attention to their relative sizes and positions.

  4. step 04

    Begin adding details to the church, focusing on the architectural elements and stained glass windows.

  5. step 05

    Develop the foliage of the trees, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Add the figures and animals in the foreground, paying attention to their proportions and placement.

  7. step 07

    Refine the details and adjust the values to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · viridian green · titanium white

Mix blues and whites for the sky, varying the proportions to create subtle gradations. Use burnt sienna and yellow ochre for the warm tones of the trees and architecture. Add alizarin crimson and viridian green to create depth and shadow.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Neglecting the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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