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home·artworks·The Resurrection of Christ
The Resurrection of Christ by Tintoretto

plate no. 3509

The Resurrection of Christ

Tintoretto, 1565

oil, canvasMannerism (Late Renaissance)religious paintingfigureangelsskycloudsreligiousorgan
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and creating dynamic compositions with multiple figures. It also provides practice in glazing and scumbling techniques to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the figures, paying attention to anatomical accuracy and proportions.

  4. step 04

    Layer glazes to build up depth and luminosity in the skin tones and drapery.

  5. step 05

    Add details to the faces and hands, focusing on capturing the expressions and gestures.

  6. step 06

    Refine the background and surrounding elements, using soft blending to create atmosphere.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Apply final touches and adjustments to achieve a cohesive and balanced composition.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Create atmospheric effects by glazing thin layers of ultramarine blue and ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·aerial perspective

common pitfalls

  • →Incorrect proportions of figures.
  • →Overworking details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inconsistent lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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