apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Resurrection of Christ
The Resurrection of Christ by Paolo Veronese

plate no. 5988

The Resurrection of Christ

Paolo Veronese, 1570

oil, canvasMannerism (Late Renaissance)religious paintingfigureskycloudslandscapereligious scenearchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in managing a complex composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the sky, landscape, and figures.

  3. step 03

    Develop the sky and background, paying attention to the atmospheric perspective and cloud formations.

  4. step 04

    Refine the figures, starting with the central figure of Christ and then moving to the surrounding figures.

  5. step 05

    Add details to the drapery, capturing the folds and highlights.

  6. step 06

    Work on the facial expressions and details of the figures.

  7. step 07

    Add the final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt sienna · titanium white · cadmium red

secondary · yellow ochre · raw umber · ivory black

Mix various shades of red and brown for the drapery. Use white and blue to create the sky and clouds. Add small amounts of yellow ochre to warm up the skin tones.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (ultramarine blue, burnt sienna, titanium white, cadmium red, yellow ochre, raw umber, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti