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home·artworks·The Resurrection
The Resurrection by Pinturicchio

plate no. 1818

The Resurrection

Pinturicchio, 1494

oilHigh Renaissancereligious paintingfigurereligious scenearchitecturelandscapeangelstomb
experienced study

Recreating this painting will help students develop skills in figure painting, rendering drapery, and creating a sense of depth through atmospheric perspective. It also offers practice in capturing intricate details and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of figures and the architectural elements.

  2. step 02

    Establish the main light source and block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the figures, paying close attention to anatomy and drapery folds.

  4. step 04

    Develop the landscape elements, using atmospheric perspective to create depth.

  5. step 05

    Add details to the architecture and figures, such as the patterns on the clothing and the texture of the stone.

  6. step 06

    Paint the golden halo and the surrounding angels, using thin layers of paint to create a luminous effect.

  7. step 07

    Refine the highlights and shadows to create a sense of three-dimensionality.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · gold · ivory · earthy browns · blues

secondary · red · green · ochre · gray

Achieve the golden hues by mixing yellow ochre, burnt sienna, and a touch of white. Create depth in the drapery by layering shades of ivory and gray with subtle hints of blue and green.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurately rendering the anatomy of the figures.
  • →Not creating enough depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ivory, yellow ochre, burnt sienna, ultramarine blue, raw umber, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·gesso

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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