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home·artworks·The Rest on the Flight to Egypt with Saint Francis
The Rest on the Flight to Egypt with Saint Francis by Correggio

plate no. 0861

The Rest on the Flight to Egypt with Saint Francis

Correggio, 1517

oil, canvasHigh Renaissancereligious paintingfiguresreligious scenelandscapetreesbabyrobes
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating depth through atmospheric perspective. Students will also learn to mix subtle skin tones and render soft, diffused light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the forms with layers of paint, focusing on the light and shadow.

  4. step 04

    Develop the skin tones using a limited palette and subtle blending techniques.

  5. step 05

    Paint the drapery, paying attention to the folds and highlights.

  6. step 06

    Add details to the faces and hands, capturing the expressions of the figures.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt sienna to create the darker tones in the background and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·sfumato
  • ·figure drawing

common pitfalls

  • →Overworking the paint and losing the freshness of the initial layers.
  • →Failing to create a convincing sense of depth.
  • →Inaccurate proportions in the figures.
  • →Muddying the colors by overmixing.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·linseed oil
  • ·turpentine
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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